What lives on the shelf
Last week, I finally acquired the object of my dreams, a knockoff Globe Wernicke stacking bookcase with glass fronted shelves. As soon as we got our three-piece set home and put it together, I rescued my most prized and beloved books from the filing cabinet they’ve been quietly stacked up in. I unwrapped each one and put it in its new home, safe from dust and cups of coffee and my own clumsiness. To celebrate this furniture victory, I devote today’s post to the books that now live in the most exciting bookshelf in the building (universe.)
If you were to lift up the glass and slide it gently backwards, you would be able to peruse the following collections of books:
All my notes from graduate school at The University of Alabama, including this batch of notes and handouts from Anna Embree’s Binding I class.
Books I made in graduate school, including this quarter leather flexible binding
and a full leather design binding for one of Kieth Smith’s Non-Adhesive Binding manuals. (oho! Can you detect the bookbinding joke? How simply hilarious I can be.)
Books on Bookbinding, including Kojiro Ikegami’s Japanese Bookbinding
and Books, Boxes and Portfolios by Franz Zeier.
(this copy is enclosed in a presentation clamshell box that I made in preparation for teaching a boxmaking course.)
Books on printing, including Barb Tetenbaum’s A Guide to Experimental Letterpress techniques
and Paul Moxon’s Vandercook Presses.
Books I made for my own use, including this long and link stitch binding full of notes and sketches.
Books I printed as Big Jump Press, including this copy of Fears: A chronology.
Books I’ve made while teaching, including this paper case binding produced during demonstrations in Binding III at the University of Alabama last fall,
and this accordion book, produced during a workshop at Shepherds-Falkiner’s in London in October.
Books I made for teaching, including the pamphlet and accordion box of joy that I drag to all of my innovative structure workshops.
Books produced by students, including these two from Jamie Karolich and Andrew Borloz.
Books I am in
Blank books for sale
Books I’ve bought, including these tiny comics by Tom Gauld,
Live from the Delay, by Ryan Flaherty and produced by Friedrich Kerksieck of Small Fires Press,
and Thirst or Surfeit by Elizabeth Robinson, produced by Emily Tipps of High Five Press.
Books I’ve traded for, including The Topography of Home by Macy Chadwick of In Cahoots Press,
By-and-By, by Amy Bloom and produced by Robin Price,
and Compendium of Domestic Incidents by Joanna Ruocco and produced by Sarah McDermott of Kidney Press.
Books I’ve received as gifts, including Turn Over Darling by Ron King of Circle Press,
To Come Upon a Street, a tunnel book by Michelle Ray and AB Gorham,
Ex-Slave, from Jessica Peterson of Paper Souvenir (and currently The Southern in Northport)
and the smallest book I’ve got, Strangers by Laura Rowley.
For the last few days, I have repeatedly caught myself staring at the shelves with an empty head. Just staring, staring. I’ll admit, I was hoping to get more done over the last few days, but I have so enjoyed simply relaxing in the apartment after a month of travel. But today is the day to get started again. If I can just stop looking at it.
Next post, I promise, progress on the mountain of binding I have ahead of me. I’m also back to teaching tomorrow night at Ink Spot Press. And this weekend: Intro to Letterpress at the London Centre for Book Arts.